By Bob Garver Last month, I wrote about “The Exorcist: Believer” actually working pretty well as a taut kidnapping thriller until the requisite demon possession stuff kicked in. Now comes “Five Nights at Freddy’s,” which has the opposite problem: the...
By Bob Garver Taylor Swift is the single most powerful force in pop culture at the moment. Every other musical artist is eating her dust on the charts. Television, upended by writers’ and actors’ strikes, is only doing well with sporting events where the topic of...
By Bob Garver The creative, commercial, and overall cultural impact of 1973’s “The Exorcist” cannot be overstated. Every Halloween, you’re bound to see and hear references to the film, from facsimiles of Linda Blair’s otherworldly-affected face to recreations of the...
Standard disclaimer for any and all “PAW Patrol” media: I am not the target audience for “PAW Patrol.” The target audience for “PAW Patrol” is young children and only young children. This is not a “fun for all ages” property that adults can enjoy as much as kids. At...
By Bob Garver Outside of what you see on the posters, the “Expendables” movies have never been particularly ambitious. Sure, it was great that the action stars of previous decades like Sylvester Stallone, Jason Statham, Arnold Schwarzenegger, Jet Li, Bruce Willis,...
By Bob Garver “A Haunting in Venice” is director/star Kenneth Branagh’s third go-around as Agatha Christie-penned detective Hercule Poirot. The other two were 2017’s “Murder on the Orient Express” and 2022’s “Death on the Nile.” “A Haunting in Venice” comes barely a...
